CALLBACKS - Wednesday, April 30th starting at 6:00pm at Lake Region High School
Please take the time to review these monologues. At callbacks we will begin with each person using one of these as an introductory reading. You may choose whichever of the two that best showcase your acting skills. Since this will be the first time we have heard some of you read, it will help us to better understand your ability to perform a role in the show. This is an opportunity to demonstrate understanding of the character. You should also review sides listed below for the character(s) you wish to read for. At callbacks we will accommodate those choices as well as try different combinations to determine cast compatibility. You may be asked to read for different characters. Sides and monologues will also be available at callbacks - having them memorized is not required. Please reach out to info@lrctmaine.org with any questions.
FRANKLIN HART - Franklin Hart Jr. is the main antagonist in 9 to 5: The Musical, portrayed as a sexist, egotistical, and manipulative boss who embodies the worst traits of toxic workplace culture. He consistently demeans and objectifies the women in his office, particularly targeting Doralee with unwanted advances and false rumors. Arrogant and self-serving, he takes credit for others’ work—most notably Violet’s—and abuses his power to maintain control and suppress the ambitions of female employees. Though his actions are harmful, they’re often exaggerated for comedic effect, making him a cartoonish yet recognizable symbol of outdated corporate misogyny. Ultimately, Hart’s behavior serves as the catalyst for the story, inspiring Violet, Judy, and Doralee to band together, take matters into their own hands, and revolutionize their workplace.
MONOLOGUE:
"Now this is what I’m talking about. You’re not bad looking for a gal with a little tread worn off her tires. I mean that, sincerely. Franklin Hart knows the value of each girl who has the privilege to serve under him. Let me tell you the philosophy of my business, Julie. In a word, teamwork. It’s a shame, and I have always said this, that you girls don’t have the experience of growing up playing football or baseball; because that’s where you learn that a chain is only as strong as its weakest link. If we all work together, we can cut the balls off our competition and be sitting pretty at the top of the hill. Now that’s the attitude I’m looking for, we’re all a team and everyone needs to be there for the handoff. I expect all employees, especially one who wants to be promoted to management, to show a little flexibility and cooperation. You savvy?"
VIOLET NEWSTEAD - Violet Newstead is one of the three leading characters in 9 to 5: The Musical and serves as the smart, capable, and no-nonsense heart of the trio. A seasoned employee and single mother, Violet has worked her way up in the company but is repeatedly overlooked for promotions in favor of less qualified men. She’s sharp-witted, resourceful, and deeply loyal to her coworkers, often acting as the voice of reason and the planner behind their bold actions. Despite the frustrations of constantly hitting a glass ceiling, Violet maintains her integrity and sense of humor. Her leadership and quick thinking play a crucial role in turning the tables on Franklin Hart Jr., and she ultimately becomes a symbol of empowerment and what women can achieve when given a fair chance.
MONOLOGUE:
"Oh, it’s no use, we might as well come clean; he’s going to get us anyway. But before we get arrested and spend the next 30 years in prison, making pen pals in Nebraska, I want to say a few things. This place was hell until we fixed it. We do all the work of keeping things running around here as best as we can, Mr. Tinsworthy, not him. He plays golf and drinks scotch and takes the credit. And why, ‘cause he’s “The Guy”. See, we’re not “The Guy”, we’re just the “Little Guy”. We don’t play golf, we play catch up. The little guy is late picking the kids up from school ‘cause of work-and late getting to work ‘cause of kids. The little guy cooks and coaches and balances budgets and works her ass off; and if that doesn’t qualify her to be heard and seen and respected then WHAT DOES!?And so yeah, we kidnapped Mr. Hart and threw him in the back of my Buick. We tried to make everything better, and now he’s going to get all the credit and we’re going to get ten to life."
Please familiarize yourself with the sides below based on the character(s) you'd like to read for:
In the event that the directing team needs to hear you sing again, please familiarize yourself with the songs below based on the character(s) you're auditioning for. Sheet music will be provided at callbacks. Not everyone will be asked to sing at callbacks.
"SHINE LIKE THE SUN"
Measures:
Doralee 19-50, 80-85, 104-124
Judy 52-85, 104-124
Violet 88-124
VIOLET/DORALEE/JUDY
Doralee starts at 0:42
Judy starts at 1:40
Violet starts at 2:40
ALL THREE at 3:07
"HERE FOR YOU"
(Measures 69-103)
FRANKLIN HART
Start at 1:33, end at 2:40
"LET LOVE GROW"
(Measures 5-13, 26-42)
JOE & VIOLET
Joe sings 0:13-0:42
Joe sings again starting at 1:15
Violet comes in at 1:39
Both end at 2:07